Miserere (Allegri)
   HOME

TheInfoList



OR:

''Miserere'' (full title: ''Miserere mei, Deus'',
Latin Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...
for "Have mercy on me, O God") is a setting of
Psalm 51 Psalm 51, one of the penitential psalms, is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God". In the slightly different numbering system used in the Greek Septuagint and Latin Vu ...
(Psalm 50 in
Septuagint The Greek Old Testament, or Septuagint (, ; from the la, septuaginta, lit=seventy; often abbreviated ''70''; in Roman numerals, LXX), is the earliest extant Greek translation of books from the Hebrew Bible. It includes several books beyond th ...
numbering) by Italian composer
Gregorio Allegri Gregorio Allegri (17 February 1652) was a Roman Catholic priest and Italian composer of the Roman School and brother of Domenico Allegri; he was also a singer. He was born"Allegri, Gregorio" in ''Chambers's Encyclopædia''. London: George Newne ...
. It was composed during the reign of
Pope Urban VIII Pope Urban VIII ( la, Urbanus VIII; it, Urbano VIII; baptised 5 April 1568 – 29 July 1644), born Maffeo Vincenzo Barberini, was head of the Catholic Church and ruler of the Papal States from 6 August 1623 to his death in July 1644. As po ...
, probably during the 1630s, for the exclusive use of the
Sistine Chapel The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name ...
during the
Tenebrae Tenebrae (—Latin for "darkness") is a religious service of Western Christianity held during the three days preceding Easter Day, and characterized by gradual extinguishing of candles, and by a "strepitus" or "loud noise" taking place in total ...
services of
Holy Week Holy Week ( la, Hebdomada Sancta or , ; grc, Ἁγία καὶ Μεγάλη Ἑβδομάς, translit=Hagia kai Megale Hebdomas, lit=Holy and Great Week) is the most sacred week in the liturgical year in Christianity. In Eastern Churches, w ...
, and its mystique was increased by unwritten performance traditions and
ornamentation An ornament is something used for decoration. Ornament may also refer to: Decoration *Ornament (art), any purely decorative element in architecture and the decorative arts *Biological ornament, a characteristic of animals that appear to serve on ...
. It is written for two choirs, of five and four voices respectively, singing alternately and joining to sing the ending in 9-part
polyphony Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, h ...
.


History

Composed around 1638, Allegri's setting of the ''Miserere'' was amongst the
falsobordone Falsobordone is a style of recitation found in music from the 15th to the 18th centuries. Most often associated with the harmonization of Gregorian psalm tones, it is based on root position triads and is first known to have appeared in southern Eu ...
settings used by the choir of the
Sistine Chapel The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name ...
during Holy Week liturgy, a practice dating to at least 1514. At some point, several myths surrounding the piece came to the fore, stemming probably from the fact that the Renaissance tradition of ornamentation as practiced in the Sistine Chapel was virtually unknown outside of the Vatican by the time the piece become well-known. This alleged secrecy is advanced by an oft repeated statement that there were only "three authorised copies outside the Vatican, held by Emperor Leopold I, the
King of Portugal This is a list of Portuguese monarchs who ruled from the establishment of the Kingdom of Portugal, in 1139, to the deposition of the Portuguese monarchy and creation of the Portuguese Republic with the 5 October 1910 revolution. Through the n ...
, and Padre Martini." However, copies of the piece were available in Rome, and it was also frequently performed elsewhere, including such places as London, where performances dating as far back as c. 1735 are documented, to the point that by the 1760s, it was considered one of the works "most usually" performed by the ''Academy of Ancient Music''. From the same supposed secrecy stems a popular story, backed by a letter written by
Leopold Mozart Johann Georg Leopold Mozart (November 14, 1719 – May 28, 1787) was a German composer, violinist and theorist. He is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook ''Versuch einer gründlichen ...
to his wife on April 14 1770, that at fourteen years of age, while visiting Rome, his son
Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
first heard the piece during the Wednesday service, and later that day, wrote it down entirely from memory. Doubt has however been cast on much of this story, owing to the fact that the ''Miserere'' was known in London, which Mozart had visited in 1764-65, that Mozart had seen Martini on the way to Rome, and that Leopold's letter (the only source of this story) contains several confusing and seemingly contradictory statements. Less than three months after hearing the song and transcribing it, Mozart had gained fame for his musical work and was summoned back to Rome by
Pope Clement XIV Pope Clement XIV ( la, Clemens XIV; it, Clemente XIV; 31 October 1705 – 22 September 1774), born Giovanni Vincenzo Antonio Ganganelli, was head of the Catholic Church and ruler of the Papal States from 19 May 1769 to his death in Sep ...
, who showered praise on him for his feats of musical genius and awarded him the Chivalric
Order of the Golden Spur The Order of the Golden Spur ( it, Ordine dello Speron d'Oro, french: Ordre de l'Éperon d'or), officially known also as the Order of the Golden Militia ( la, Ordo Militia Aurata, it, Milizia Aurata), is a papal order of knighthood conferre ...
on July 4, 1770. The original ornamentations that made the work famous were Renaissance techniques that preceded the composition itself, and it was these techniques that were closely guarded by the Vatican. Few written sources (not even Burney's) showed the ornamentation, and it was this that created the legend of the work's mystery. The Roman priest
Pietro Alfieri Pietro Alfieri (29 June 1801 – 12 June 1863) was a Roman Catholic priest and at one time a Camaldolese monk, who was born and died in Rome. For many years, Alfieri was the professor of singing at the English College in Rome. He is remember ...
published an edition in 1840 including ornamentation, with the intent of preserving the performance practice of the Sistine choir in both Allegri's and Tommaso Bai's (1714) settings. The work was also transcribed by
Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include sy ...
in 1831 and
Franz Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...
, and various other 18th and 19th century sources, with or without ornamentation, survive. The version most performed nowadays, with the famous "top C" in the second-half of the 4-voice falsobordone, is based on that published by William Smyth Rockstro in the first edition of the ''
Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...
'' (1880) and later combined with the first verse of
Charles Burney Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist a ...
's 1771 edition by Robert Haas (1932). Since this version was popularised after the publication in 1951 of
Ivor Atkins Sir Ivor Algernon Atkins (29 November 1869 – 26 November 1953) was the choirmaster and organist at Worcester Cathedral from 1897 to 1950, as well as a composer of songs, church music, service settings and anthems. He is best known for editi ...
' English version and a subsequent recording based upon this by the
Choir of King's College Cambridge The Choir of King's College, Cambridge is an English Anglican choir. It is considered one of today's most accomplished and renowned representatives of the great English choral tradition. It was created by King Henry VI, who founded King's Coll ...
, Allegri's ''Miserere'' has remained one of the most popular
a cappella ''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Ren ...
choral works performed.


Recordings

The ''Miserere'' is one of the most frequently recorded pieces of late
Renaissance music Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Tr ...
. An early and celebrated recording of it is the one from March 1963 by the Choir of King's College, Cambridge, conducted by
David Willcocks Sir David Valentine Willcocks, (30 December 1919 – 17 September 2015) was a British choral conductor, organist, composer and music administrator. He was particularly well known for his association with the Choir of King's College, Cambr ...
, which was sung in English and featured the then-treble
Roy Goodman Roy Goodman (born 26 January 1951) is an English conductor and violinist, specialising in the performance and direction of early music. He became internationally famous as the 12-year-old boy treble soloist in the March 1963 recording of Alle ...
. This recording was originally part of a gramophone LP recording entitled ''Evensong for Ash Wednesday'' but the ''Miserere'' has subsequently been re-released on various compilation discs. In 2015 the
Sistine Chapel Choir The Sistine Chapel Choir, as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir. It performs at papal functions in the Sistine Chapel and in any other churc ...
released their first CD, including the 1661 Sistine codex version of the ''Miserere'' recorded in the chapel itself. Performances of the whole work usually last between 12 and 14 minutes.


Music

The work is set as a falsobordone, a technique then commonly used for performing psalm tones in a polyphonic manner. Allegri's setting is based upon the
Tonus peregrinus , the wandering tone, or the ninth tone, is a reciting tone in Gregorian chant. The chant example here is not identified as the ''tonus peregrinus'' in the ''Liber usualis'' (see LU, pp. 760–761), although it is in Aeolian mode. For the ' ...
. Verses alternate between a five-part setting sung by the first choir (vv. 1, 5, 9, 13, 17) and a four-part setting sung by the second (vv. 3, 7, 11, 15, 19), interspersed with plain-chant renderings of the other verses. Both choirs come together for a nine-voice finale in verse 20. The original vocal forces for the two choirs were SATTB and SATB, but at some point in the 18th-century one of the two tenors was transposed up an octave, giving the SSATB setting which is most frequently performed today.


Text


Original

The original translation of the psalm used for the piece was in Latin: Miserere mei, Deus: secundum magnam misericordiam tuam. Et secundum multitudinem miserationum tuarum, dele iniquitatem meam. Amplius lava me ab iniquitate mea: et a peccato meo munda me. Quoniam iniquitatem meam ego cognosco: et peccatum meum contra me est semper. Tibi soli peccavi, et malum coram te feci: ut justificeris in sermonibus tuis, et vincas cum judicaris. Ecce enim in iniquitatibus conceptus sum: et in peccatis concepit me mater mea. Ecce enim veritatem dilexisti: incerta et occulta sapientiae tuae manifestasti mihi. Asperges me hyssopo, et mundabor: lavabis me, et super nivem dealbabor. Auditui meo dabis gaudium et laetitiam: et exsultabunt ossa humiliata. Averte faciem tuam a peccatis meis: et omnes iniquitates meas dele.
Cor mundum crea in me, Deus: et spiritum rectum innova in visceribus meis. Ne proiicias me a facie tua: et spiritum sanctum tuum ne auferas a me. Redde mihi laetitiam salutaris tui: et spiritu principali confirma me. Docebo iniquos vias tuas: et impii ad te convertentur. Libera me de sanguinibus, Deus, Deus salutis meae: et exsultabit lingua mea justitiam tuam. Domine, labia mea aperies: et os meum annuntiabit laudem tuam. Quoniam si voluisses sacrificium, dedissem utique: holocaustis non delectaberis. Sacrificium Deo spiritus contribulatus: cor contritum, et humiliatum, Deus, non despicies. Benigne fac, Domine, in bona voluntate tua Sion: ut aedificentur muri Ierusalem. Tunc acceptabis sacrificium justitiae, oblationes, et holocausta: tunc imponent super altare tuum vitulos.


English translation

This translation is from the 1662 ''Book of Common Prayer'' and is used in
Ivor Atkins Sir Ivor Algernon Atkins (29 November 1869 – 26 November 1953) was the choirmaster and organist at Worcester Cathedral from 1897 to 1950, as well as a composer of songs, church music, service settings and anthems. He is best known for editi ...
' English edition of the ''Miserere'' (published by Novello): Have mercy upon me, O God: after Thy great goodness. According to the multitude of Thy mercies, do away mine offences. Wash me thoroughly from my wickedness: and cleanse me from my sin. For I acknowledge my faults: and my sin is ever before me. Against Thee only have I sinned, and done this evil in thy sight: that Thou mightest be justified in Thy saying, and clear when Thou art judged. Behold, I was shapen in wickedness: and in sin hath my mother conceived me. But lo, Thou requirest truth in the inward parts: and shalt make me to understand wisdom secretly. Thou shalt purge me with
hyssop ''Hyssopus officinalis'' or hyssop is a shrub in the Lamiaceae or mint family native to Southern Europe, the Middle East, and the region surrounding the Caspian Sea. Due to its purported properties as an antiseptic, cough reliever, and expecto ...
, and I shall be clean: Thou shalt wash me, and I shall be whiter than snow. Thou shalt make me hear of joy and gladness: that the bones which Thou hast broken may rejoice. Turn Thy face from my sins: and put out all my misdeeds.
Make me a clean heart, O God: and renew a right spirit within me. Cast me not away from Thy presence: and take not Thy Holy Spirit from me. O give me the comfort of Thy help again: and stablish me with Thy free Spirit. Then shall I teach Thy ways unto the wicked: and sinners shall be converted unto Thee. Deliver me from blood-guiltiness, O God, Thou that art the God of my health: and my tongue shall sing of Thy righteousness. Thou shalt open my lips, O Lord: and my mouth shall shew
how How may refer to: * How (greeting), a word used in some misrepresentations of Native American/First Nations speech * How, an interrogative word in English grammar Art and entertainment Literature * ''How'' (book), a 2007 book by Dov Seidma ...
Thy praise. For Thou desirest no sacrifice, else would I give it Thee: but Thou delightest not in burnt-offerings. The sacrifice of God is a troubled spirit: a broken and contrite heart, O God, shalt Thou not despise. O be favourable and gracious unto
Sion Sion may refer to * an alternative transliteration of Zion People * Sion (name) or Siôn, a Welsh and other given name and surname, including a list of people and fictional characters with the name * Shion or Sion, a Japanese given name Pl ...
: build Thou the walls of Jerusalem. Then shalt Thou be pleased with the sacrifice of righteousness, with the burnt-offerings and oblations: then shall they offer young bullocks upon Thine altar.''
Book of Common Prayer The ''Book of Common Prayer'' (BCP) is the name given to a number of related prayer books used in the Anglican Communion and by other Christian churches historically related to Anglicanism. The original book, published in 1549 in the reign ...
'', 1662


See also

* ''
Spem in alium ''Spem in alium'' (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music. H. B. ...
'' *
Leçons de ténèbres Leçons de ténèbres ( 'lessons of darkness'; sometimes spelled Leçons des ténèbres) is a genre of French Baroque music which developed from the polyphonic lamentations settings for the tenebrae service of Renaissance composers such as Serm ...


Notes and references


Sources


A detailed discussion of the piece's authentic sources and manuscript history, and an authentic performing edition.
Ben Byram-Wigfield (2014), ''Ancient Groove Music''.


Further reading

*


External links

* Performance by
The Gesualdo Six The Gesualdo Six are a British vocal consort, directed by Owain Park. The group was founded in Cambridge in 2014 for a performance of the Tenebrae Responsories for Maundy Thursday by Carlo Gesualdo, in the chapel of Trinity College. The Gesual ...
and the choristers of
Blackburn Cathedral Blackburn Cathedral, officially known as the Cathedral Church of Blackburn Saint Mary the Virgin with St Paul, is an Church of England, Anglican (Church of England) cathedral situated in the heart of Blackburn town centre, in Lancashire, England ...
* * {{Authority control Music for the Holy Week Polychoral compositions Psalm settings Tenebrae Compositions in G minor